PRACTICAL
1. Swar Gyaan : To sing/play and to identify of Seven Suddha and Five Vikrita Swar. To sing the Swaras with three saptaks at least Two.
2. Knowledge of the Previous years Raags Raag Bageshree, Durga, Asavari, Tilak Kamod, Vrindavani Sarang, Kedar, with two easy taan and sargam. Practice Taan, sargam Bol Taan.
3. To sing/play the Lakshan Geet, Swar Malika and Small Khayal ( Madhya Laya Drut ) of Raag Marwa, Kamod, Deshkaar, Shankara, Jaya Jaiwanti, Miyan ki Mallar, Bahar, Todi, Multani, Purvi, Lalit with two easy taan and sargam. Practice Any one of Vilamvit Khayal with Taan, sargam and Bol Taan.
4. To Sing/play two Dhrupad and Dhamar Tarana of the above Raag ( Thaay, Dwiguna, Tiguna, Chowguna)
5. Laya Gyaan : Vilamvit, Madhya, Drut laya, with showing Taali 1:2, 1 2 3 4. When you sing Sa Re Ga Ma 4 swar show one matra four divisions. Knowing of the Division learning the lay stability with clap or Taali.
6. Practice of simple aalap of the above Raags. To sing with Tabla with praoper Lay.
7. . Learning of Taal : i) Ada Chowtal ii) Sul Taal, iii) Jat Taal Ability to tell the Theka of Taal with Taali and Thaay / Dwigun laya. Knoledge to sing Thumri
8. Identify the the Aalap of the above Raag.
9. Rang Comparisons: Todi-Multani; Darbari-Adaana; Bhoopali-Deshkaar, Desh- Tilak Kamod
10. Knowledge to tune Taanpura and Tabla
11. Sugam Sangeet : One Semi Classical Song Thumri and Kajri of any one of the above Raag, One Classical Bhajan ( Nanak, Kabeer, Meerabai, Surdas, Tulsidas ) Ghazal / Sufi Song ( Traditional, popular, Rabindra Sangeet prescribed by Vishwa Bharati, One Folk Song, Punjabi or Haryanvi Folk.
12. Voice Training of Forth Step. Merukhand Exercise 1.2.3.4 ( Sa Re Ga Ma ), RPGO
13. Write and read the simple Indian notation of the above mentioned Taal
14. Tappa and Dhamar
15. Raag Based Bollywood songs. One Raag Defferent Bollywood Song
16 . Karaoke Singing Practice of Bollywood songs and Practice of previous years karaoke song
17. Music Performing Appreciations
18. Voice Harmony and Western cords
19. Practical singing session and demonstration of Studio : Special Session
THEORY
1. Knowledge of previous years all musical term and definition.
2. What is Anibdh geet ? The ancient types of Anibadh Geet.
3. Define Gayaki, Nayaki,
4. History of Shruti and Swar Vibhajan of 22 shruti-es , Shadaj Pancham bhav, Calculation of Andolan Sankhya as per the length of the Taar
5. Simple difference between South Indian and Hindustani Classical Music.
6. Write a simple Swaralipi ( notation) of a Geet of Pt. Bhatkhande style.
7. Identify the Present and previous years Raag by the written Swaralipi.
8. . Similarities and Dissimilarities : Todi-Multani; Darbari-Adaana; Bhoopali-Deshkaar, Desh- Tilak Kamod
9 . Brief Life story ( 100 words ) of Man Singh. Venkatmukhi, Bharat, Pt. Bhimsen Joshi, Lata Mangeshkar.