SECOND YEAR : SANGEET PRATHAMA

TABLA / PAKHWAJ

Practical

  1. Play one to sixteen Matra with Taali, Khaali, Thay laya and Diguna Laya.
  2. Play the following taal with Thaay and Dwiguna laya. I) Dadra ii ) Kerwa, iii) Teen Taal
  3. Play the Three types of Teehaai of Teen Taal, Dadra and Kerwa and the knowledge of simple Tukda or piece.
  4. Show the Thaay Laya and Diguna laya in support of finger with bol and Matra
  5. Try to accompany with a simple song of Teen Taal,’ Dadra and Kerwa Taal
  6. Knowledge of previous year’s syllabus

Theory Oral

  1. Defination or Paribhasha : Theka, Bol, Ek Gun, Diguna, Tiguna, Chouguna Laya, Bibhag, Taali, Khali, Sam, Avartan, laya, Mukhda, Mohra, Tukda, Kayada, Palta
  2. Brief about your instrument. ( Write in 50 words ) demonstrate
  3. Sanyukta and asanyukta varna of Tabla and Pakhwaj
  4. Write a brief about 50 words some of great Tabla or Pakhwaj Player of India
  5. Knowledge of previous year’s syllabus

Eligibility : Complete Sangeet Praveshika or equavellant, Duration : One Year

Marks : Total Marks 100, Practical 70 Oral 30 ( Two Assesment )

Course Structure

Practical

  1. Play one to sixteen Matra with Taali, Khaali, Thay laya and Diguna Laya.
  2. Play the following taal with Thaay and Dwiguna laya. I) Dadra ii ) Kerwa, iii) Teen Taal
  3. Play the Three types of Teehaai of Teen Taal, Dadra and Kerwa and the knowledge of simple Tukda or piece.
  4. Show the Thaay Laya and Diguna laya in support of finger with bol and Matra
  5. Try to accompany with a simple song of Teen Taal,’ Dadra and Kerwa Taal
  6. Knowledge of previous year’s syllabus

Theory Oral

  1. Defination or Paribhasha : Theka, Bol, Ek Gun, Diguna, Tiguna, Chouguna Laya, Bibhag, Taali, Khali, Sam, Avartan, laya, Mukhda, Mohra, Tukda, Kayada, Palta
  2. Brief about your instrument. ( Write in 50 words ) demonstrate
  3. Sanyukta and asanyukta varna of Tabla and Pakhwaj
  4. Write a brief about 50 words some of great Tabla or Pakhwaj Player of India
  5. Knowledge of previous year’s syllabus
Eligibility

Eligibility : Complete Sangeet Praveshika or equavellant, Duration : One Year

Marks : Total Marks 100, Practical 70 Oral 30 ( Two Assesment )

Sitar, Flute, Harmonium

Practical

1. Swar Gyaan : To sing/ play and to identify of Seven Suddha and Five Vikrita Swar. To sing the Swaras with three saptaks at least Two.
2. Knowledge of the Previous years Raags Yaman , Alhaiya Bilawal, Bhupali, Bhairav sing the Swaramalika and Bandish.
3. To sing / play the Small Khayal of Raag Khamaj, Bihag, Bhairavi, Purvi, Todi and Bhimpalasi with two easy taan and sargam
4. To Sing/ play Ten Alankar sargam and Aakar with Vilamvit and Madhya Laya
5. Laya Gyaan : Vilamvit, Madhya, Drut laya, with showing Taali 1:2, 1 2 3 4. When you sing Sa Re Ga Ma 4 swar show one matra four divisions. Knowing of the Division learning the lay stability with clap or Taali.
6. Swarmalika of Raag Raag Khamaj, Bihag, Kafi, Bhairavi, Purvi and Todi, Bhimpalasi
7. Practice of simple aalap of the above Raags. To sing with Tabla with praoper Lay.
8. . Learning of Taal : i) Dadra, ii) Kerwa, iii) Teen Taal, iv) Choutaal. Ability to tell the Theka of Taal with Taali and Thaay / Dwigun laya
9. Identify the the Aalap of the above Raag.
10. Sugam Sangeet : One Devotional Song of any one of the above Raag, One Ghazal Song, One Folk Song, One Regional Song, One Patriotic Song
11. Basic Knowledge of Harmonium, Tabla jodi and Taanpura
12 Knowledge of two simple cords
13. Voice Training of Second Step (For vocal )
14 . Karaoke Singing/playing Practice of Four Bollywood songs
15. Studio Session
16. Presentation
17. Complete knowledge of your Instrument ( For Instrumental )

Theory Oral/ Written according to age

  1. What is called Sangeet : Two main System of Indian Sangeet
  2. What is Dhwani ? Origin of Dhwani,
  3. What is the Defination of Dhwani, Naad, Naad Sthan, Shruti, Swar, Prakrita Swar, Chal Swar, Achal Swar, Suddha Swar, Vikrita Swar, Symbols of the Swar, Varna ( , Sthayee, Aarohee, Avrohee, Sanchari ), Vadi, Samvadi, Anuvadi, Varjeet Swar,  Lay , Matra, taali, Khali, Sam, Avartan, Alankar , Saptak ( Mandra, Madhya, Taar ) Symbols of different Saptak Swar, Pakad, Alap, Taan, Kheyal, Sargam, Sthayee of Bandish, Antara, Taali, Khali, Theka, Avartan , Thay, Dwiguna.
  4. What is Thaat ?
  5. What is Raag?
  6. What is called Ashray Raag ?
  7. Difference between Taat and Raag. Tell the Ten Thaats of Indian Hindustani Classical Music.
  8. What is Swarmalika?
  9. Ability to write the structure of the following Taal with Taali, Khali and Sam Symbol
  10. i) Dadra, ii) Kerwa, iii) Teen Taal, iv) Choutaal.
  11. Brief Life story  ( 100 words ) of Pandit Vishnu Digambar Paluskar, Swami Haridas, Sharangdev and Rabindranath Tagore
  12. Definition and History of your Musical Instrument (For Instrumental )

Eligibility : Complete Sangeet Praveshika or equavellant, Duration : One Year

Marks : Total Marks 100, Practical 70 Oral 30 ( Two Assesment )

Course Structure

Practical

1. Swar Gyaan : To sing/ play and to identify of Seven Suddha and Five Vikrita Swar. To sing the Swaras with three saptaks at least Two.
2. Knowledge of the Previous years Raags Yaman , Alhaiya Bilawal, Bhupali, Bhairav sing the Swaramalika and Bandish.
3. To sing / play the Small Khayal of Raag Khamaj, Bihag, Bhairavi, Purvi, Todi and Bhimpalasi with two easy taan and sargam
4. To Sing/ play Ten Alankar sargam and Aakar with Vilamvit and Madhya Laya
5. Laya Gyaan : Vilamvit, Madhya, Drut laya, with showing Taali 1:2, 1 2 3 4. When you sing Sa Re Ga Ma 4 swar show one matra four divisions. Knowing of the Division learning the lay stability with clap or Taali.
6. Swarmalika of Raag Raag Khamaj, Bihag, Kafi, Bhairavi, Purvi and Todi, Bhimpalasi
7. Practice of simple aalap of the above Raags. To sing with Tabla with praoper Lay.
8. . Learning of Taal : i) Dadra, ii) Kerwa, iii) Teen Taal, iv) Choutaal. Ability to tell the Theka of Taal with Taali and Thaay / Dwigun laya
9. Identify the the Aalap of the above Raag.
10. Sugam Sangeet : One Devotional Song of any one of the above Raag, One Ghazal Song, One Folk Song, One Regional Song, One Patriotic Song
11. Basic Knowledge of Harmonium, Tabla jodi and Taanpura
12 Knowledge of two simple cords
13. Voice Training of Second Step (For vocal )
14 . Karaoke Singing/playing Practice of Four Bollywood songs
15. Studio Session
16. Presentation
17. Complete knowledge of your Instrument ( For Instrumental )

Theory Oral/ Written according to age

  1. What is called Sangeet : Two main System of Indian Sangeet
  2. What is Dhwani ? Origin of Dhwani,
  3. What is the Defination of Dhwani, Naad, Naad Sthan, Shruti, Swar, Prakrita Swar, Chal Swar, Achal Swar, Suddha Swar, Vikrita Swar, Symbols of the Swar, Varna ( , Sthayee, Aarohee, Avrohee, Sanchari ), Vadi, Samvadi, Anuvadi, Varjeet Swar,  Lay , Matra, taali, Khali, Sam, Avartan, Alankar , Saptak ( Mandra, Madhya, Taar ) Symbols of different Saptak Swar, Pakad, Alap, Taan, Kheyal, Sargam, Sthayee of Bandish, Antara, Taali, Khali, Theka, Avartan , Thay, Dwiguna.
  4. What is Thaat ?
  5. What is Raag?
  6. What is called Ashray Raag ?
  7. Difference between Taat and Raag. Tell the Ten Thaats of Indian Hindustani Classical Music.
  8. What is Swarmalika?
  9. Ability to write the structure of the following Taal with Taali, Khali and Sam Symbol
  10. i) Dadra, ii) Kerwa, iii) Teen Taal, iv) Choutaal.
  11. Brief Life story  ( 100 words ) of Pandit Vishnu Digambar Paluskar, Swami Haridas, Sharangdev and Rabindranath Tagore
  12. Definition and History of your Musical Instrument (For Instrumental )
Eligibility

Eligibility : Complete Sangeet Praveshika or equavellant, Duration : One Year

Marks : Total Marks 100, Practical 70 Oral 30 ( Two Assesment )

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