SIXTH YEAR: M. Mus-Part 1

TABLA / PAKHWAJ

Practical

  1. Practice to play full Tabla Lahra of a Samapadi and Bisamapadi Taal.
  2. Practice to play the Taal with Teehai of the following Taals
    1. Dhamar Taal ii ) Aada Chautal Taal, iii) Jhumra Taal vi) Pancham v) Sawari taal
  3. Accompaniment with the song/bandish/gat in above taals
  4. Ability to play and say altogether any Bols of above Taals
  5. To play bols of any Taal of the above and previous year’s Taals with Harmonium
  6. Ability to play previous and present year’s syllabus with Thaay, Dwiguna, Teen Guna, chauguna laya and Aad laya
  7. Ability to play with Indian and Western combined Rhythm Fusion.
  8. Ability to accompany minimum 45 minutes with Chhota Khyal and Thumri
      1. Knowledge of previous year’s syllabus

Theory Oral

  1. Defination or Paribhasha : Definitions of all previous year’s syllabus.
  2. Ability to write Taal lipi of all previous year’s Prescribed Taals in the syllabus.
  3. What are the Tabla Gharanas of Hindustani Music. A comparative discussion with the different Gharanas.
  4. Write a brief ( any one ) about 150 words about  Pt. Bhimsen Joshi, Pt. Yashraj, Pt. Ajay Chakrabarty, Ustad Rashid Khan, Ustad Abid Hussain , Shiv Mani, Nana Panse, Koud Singh, Khabbe Hussain and Bathan Khan
  5. Complete Introduction in writing taal lipi of i) Dhamar Taal ii ) Aada Chautal Taal, iii) Jhumra Taal vi) Pancham Sawari taal
  6. Identify the Thekas of present and previous year’s Taal.
  7. Knowledge of previous year’s syllabus

Eligibility : Complete B. Mus-Final (SANGEET VISHARAD) or equivalent, Duration : One Year

Marks : Total Marks 100, Practical 70 Oral 30 ( Two Assessment )

Course Structure

Practical

  1. Practice to play full Tabla Lahra of a Samapadi and Bisamapadi Taal.
  2. Practice to play the Taal with Teehai of the following Taals
    1. Dhamar Taal ii ) Aada Chautal Taal, iii) Jhumra Taal vi) Pancham v) Sawari taal
  3. Accompaniment with the song/bandish/gat in above taals
  4. Ability to play and say altogether any Bols of above Taals
  5. To play bols of any Taal of the above and previous year’s Taals with Harmonium
  6. Ability to play previous and present year’s syllabus with Thaay, Dwiguna, Teen Guna, chauguna laya and Aad laya
  7. Ability to play with Indian and Western combined Rhythm Fusion.
  8. Ability to accompany minimum 45 minutes with Chhota Khyal and Thumri
      1. Knowledge of previous year’s syllabus

Theory Oral

  1. Defination or Paribhasha : Definitions of all previous year’s syllabus.
  2. Ability to write Taal lipi of all previous year’s Prescribed Taals in the syllabus.
  3. What are the Tabla Gharanas of Hindustani Music. A comparative discussion with the different Gharanas.
  4. Write a brief ( any one ) about 150 words about  Pt. Bhimsen Joshi, Pt. Yashraj, Pt. Ajay Chakrabarty, Ustad Rashid Khan, Ustad Abid Hussain , Shiv Mani, Nana Panse, Koud Singh, Khabbe Hussain and Bathan Khan
  5. Complete Introduction in writing taal lipi of i) Dhamar Taal ii ) Aada Chautal Taal, iii) Jhumra Taal vi) Pancham Sawari taal
  6. Identify the Thekas of present and previous year’s Taal.
  7. Knowledge of previous year’s syllabus
Eligibility

Eligibility : Complete B. Mus-Final (SANGEET VISHARAD) or equivalent, Duration : One Year

Marks : Total Marks 100, Practical 70 Oral 30 ( Two Assessment )

Sitar, Flute, Harmonium

PRACTICAL

1. Knowledge of Previous year’s Raag
2. To sing/play the Khayal ( Madhya Laya Drut ) of Jogia, Gunkeli, Shree, Madhumanti, Yamni Bilaval, Paraj,
3. To Sing/play Chaturang and Tarana of the above Raag
4, Practice Tirobhab, Avirbhaab of any one of above Raags
5. Learning of Taal : i) Lakshmi Taal ii) Brahma Taal, iii) Rudra Taal. Ability to tell the Theka of Taal with Taali and Thaay / Dwigun laya
6. To play with theka the any one of the above taal
7. Identify the the Aalap of the above Raag.
9. Raag Comparisons and explanation of the raags present and previous year
10. Brief Knowledge of Western Music
11 . Sugam Sangeet : One Semi Classical Song Thumri and Kajri of any one of the above Raag, One Nepali or Gujrati Folk Song, Raag based Bhajan
12. Voice /playing Training of Sixth Step. Merukhand Exercise 1.2.3.4 ( Sa Re Ga Ma ),
13. Raag Based Bollywood songs. One Raag Defferent Bollywood Song
13 . Karaoke Singing/playing Practice of Bollywood songs and Practice of previous years karaoke song
14. Music Performing Training and Appreciations
15. Practical singing session and demonstration of Studio : Special Session with Special Guest.

THEORY

1. Knowledge of previous years all musical term and definition
2. Complete Shastriya Parichay ( Theoretical Introduction ) of Raag Jogia, Gunkeli, Shree, Madhumanti, Yamni Bilaval, Paraj,
3. Shruti Swar Vibhajan ( Pracheen, Madhya, Adhunik )
4. To make simple Taal sargam of the Prescribed Raag.
5. Present years Taal parichaya
6. Compose a new song and make Swaralipi ( With out the support of Instrument ) .
7. Define Raag and Ras, Sangeet and Kalpana, Lok Sangeet.
8. Similarities and Dissimilarities of the Present and Previous Raag
9 Conversion of Indian Notation to Western notation
10. Identify the Raag with Swar
11. History of Hindustani and Western Music and Rhythm.
12. Comparisons of Hindustani and Carnatic Raag and Taal
13. Origin of Sahayak Naad ( Overtone) at Taanpura
14. Brief musical back ground stories any Three (50 words each ) of Pt. Ajay Chakraborty, Begum Parveen Sultana, Pt. Hariprasad Chowrasia, Pt. Shiv Kumar Sharma, Pt. Kumar Bose
15. What is Sound? Musical sound : Characteristics, Types and Facts
16. Define the 12 basic elements of Music

Eligibility : Complete B. Mus-Final (SANGEET VISHARAD) or equivalent, Duration : One Year

Marks : Total Marks 100, Practical 70 Oral 30 ( Two Assessment )

Course Structure

PRACTICAL

1. Knowledge of Previous year’s Raag
2. To sing/play the Khayal ( Madhya Laya Drut ) of Jogia, Gunkeli, Shree, Madhumanti, Yamni Bilaval, Paraj,
3. To Sing/play Chaturang and Tarana of the above Raag
4, Practice Tirobhab, Avirbhaab of any one of above Raags
5. Learning of Taal : i) Lakshmi Taal ii) Brahma Taal, iii) Rudra Taal. Ability to tell the Theka of Taal with Taali and Thaay / Dwigun laya
6. To play with theka the any one of the above taal
7. Identify the the Aalap of the above Raag.
9. Raag Comparisons and explanation of the raags present and previous year
10. Brief Knowledge of Western Music
11 . Sugam Sangeet : One Semi Classical Song Thumri and Kajri of any one of the above Raag, One Nepali or Gujrati Folk Song, Raag based Bhajan
12. Voice /playing Training of Sixth Step. Merukhand Exercise 1.2.3.4 ( Sa Re Ga Ma ),
13. Raag Based Bollywood songs. One Raag Defferent Bollywood Song
13 . Karaoke Singing/playing Practice of Bollywood songs and Practice of previous years karaoke song
14. Music Performing Training and Appreciations
15. Practical singing session and demonstration of Studio : Special Session with Special Guest.

THEORY

1. Knowledge of previous years all musical term and definition
2. Complete Shastriya Parichay ( Theoretical Introduction ) of Raag Jogia, Gunkeli, Shree, Madhumanti, Yamni Bilaval, Paraj,
3. Shruti Swar Vibhajan ( Pracheen, Madhya, Adhunik )
4. To make simple Taal sargam of the Prescribed Raag.
5. Present years Taal parichaya
6. Compose a new song and make Swaralipi ( With out the support of Instrument ) .
7. Define Raag and Ras, Sangeet and Kalpana, Lok Sangeet.
8. Similarities and Dissimilarities of the Present and Previous Raag
9 Conversion of Indian Notation to Western notation
10. Identify the Raag with Swar
11. History of Hindustani and Western Music and Rhythm.
12. Comparisons of Hindustani and Carnatic Raag and Taal
13. Origin of Sahayak Naad ( Overtone) at Taanpura
14. Brief musical back ground stories any Three (50 words each ) of Pt. Ajay Chakraborty, Begum Parveen Sultana, Pt. Hariprasad Chowrasia, Pt. Shiv Kumar Sharma, Pt. Kumar Bose
15. What is Sound? Musical sound : Characteristics, Types and Facts
16. Define the 12 basic elements of Music

Eligibility

Eligibility : Complete B. Mus-Final (SANGEET VISHARAD) or equivalent, Duration : One Year

Marks : Total Marks 100, Practical 70 Oral 30 ( Two Assessment )

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