[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css=”.vc_custom_1642492358755{background-color: #ffffff !important;}” z_index=””][vc_column][vc_empty_space height=”30px”][vc_single_image image=”207″ img_size=”full” alignment=”center” insomniacs_css_animation=””][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” el_id=”admission” css=”.vc_custom_1642492044881{padding-top: 30px !important;padding-bottom: 30px !important;background-color: #ffffff !important;}” z_index=””][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text]
Practical <\/strong><\/p>\n Theory Oral <\/strong><\/p>\n [\/vc_column_text]\n\t\t\t<\/div>\n\t\t\t Eligibility<\/strong> : Complete Sangeet Praveshika or equavellant, Duration : One Year<\/p>\n Marks<\/strong> : Total Marks 100, Practical 70 Oral 30 ( Two Assesment )<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/vc_column_text]\n\t\t\t<\/div><\/div><\/div><\/div> Practical <\/strong><\/p>\n Theory Oral <\/strong><\/p>\n [\/vc_column_text]\r\n\t\t\t <\/div>\r\n \t<\/dd> Eligibility<\/strong> : Complete Sangeet Praveshika or equavellant, Duration : One Year<\/p>\n Marks<\/strong> : Total Marks 100, Practical 70 Oral 30 ( Two Assesment )<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/vc_column_text]\r\n\t\t\t <\/div>\r\n \t<\/dd>\r\n \t<\/dl>\r\n \r\n<\/div>\r\n\r\n<\/div>[\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n [\/vc_column_text] Practical<\/strong><\/p>\n 1. Swar Gyaan : To sing\/ play and to identify of Seven Suddha and Five Vikrita Swar. To sing the Swaras with three saptaks at least Two. Theory Oral\/ Written according to age<\/strong><\/p>\n [\/vc_column_text]\n\t\t\t<\/div>\n\t\t\t Eligibility<\/strong> : Complete Sangeet Praveshika or equavellant, Duration : One Year<\/p>\n Marks<\/strong> : Total Marks 100, Practical 70 Oral 30 ( Two Assesment )<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/vc_column_text]\n\t\t\t<\/div><\/div><\/div><\/div> Practical<\/strong><\/p>\n 1. Swar Gyaan : To sing\/ play and to identify of Seven Suddha and Five Vikrita Swar. To sing the Swaras with three saptaks at least Two. Theory Oral\/ Written according to age<\/strong><\/p>\n [\/vc_column_text]\r\n\t\t\t <\/div>\r\n \t<\/dd> Eligibility<\/strong> : Complete Sangeet Praveshika or equavellant, Duration : One Year<\/p>\n Marks<\/strong> : Total Marks 100, Practical 70 Oral 30 ( Two Assesment )<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/vc_column_text]\r\n\t\t\t <\/div>\r\n \t<\/dd>\r\n \t<\/dl>\r\n \r\n<\/div>\r\n\r\n<\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css=”.vc_custom_1642492358755{background-color: #ffffff !important;}” z_index=””][vc_column][vc_empty_space height=”30px”][vc_single_image image=”207″ img_size=”full” alignment=”center” insomniacs_css_animation=””][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” el_id=”admission” css=”.vc_custom_1642492044881{padding-top: 30px !important;padding-bottom: 30px !important;background-color: #ffffff !important;}” z_index=””][vc_column width=”1\/2″][vc_column_text] TABLA \/ PAKHWAJ [\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text] Sitar, Flute, Harmonium [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n\n
\n
\n
\n
Sitar, Flute, Harmonium<\/strong><\/h4>\n
\n2. Knowledge of the Previous years Raags Yaman , Alhaiya Bilawal, Bhupali, Bhairav sing the Swaramalika and Bandish.
\n3. To sing \/ play the Small Khayal of Raag Khamaj, Bihag, Bhairavi, Purvi, Todi and Bhimpalasi with two easy taan and sargam
\n4. To Sing\/ play Ten Alankar sargam and Aakar with Vilamvit and Madhya Laya
\n5. Laya Gyaan : Vilamvit, Madhya, Drut laya, with showing Taali 1:2, 1 2 3 4. When you sing Sa Re Ga Ma 4 swar show one matra four divisions. Knowing of the Division learning the lay stability with clap or Taali.
\n6. Swarmalika of Raag Raag Khamaj, Bihag, Kafi, Bhairavi, Purvi and Todi, Bhimpalasi
\n7. Practice of simple aalap of the above Raags. To sing with Tabla with praoper Lay.
\n8. . Learning of Taal : i) Dadra, ii) Kerwa, iii) Teen Taal, iv) Choutaal. Ability to tell the Theka of Taal with Taali and Thaay \/ Dwigun laya
\n9. Identify the the Aalap of the above Raag.
\n10. Sugam Sangeet : One Devotional Song of any one of the above Raag, One Ghazal Song, One Folk Song, One Regional Song, One Patriotic Song
\n11. Basic Knowledge of Harmonium, Tabla jodi and Taanpura
\n12 Knowledge of two simple cords
\n13. Voice Training of Second Step (For vocal )
\n14 . Karaoke Singing\/playing Practice of Four Bollywood songs
\n15. Studio Session
\n16. Presentation
\n17. Complete knowledge of your Instrument ( For Instrumental )<\/p>\n\n
\n2. Knowledge of the Previous years Raags Yaman , Alhaiya Bilawal, Bhupali, Bhairav sing the Swaramalika and Bandish.
\n3. To sing \/ play the Small Khayal of Raag Khamaj, Bihag, Bhairavi, Purvi, Todi and Bhimpalasi with two easy taan and sargam
\n4. To Sing\/ play Ten Alankar sargam and Aakar with Vilamvit and Madhya Laya
\n5. Laya Gyaan : Vilamvit, Madhya, Drut laya, with showing Taali 1:2, 1 2 3 4. When you sing Sa Re Ga Ma 4 swar show one matra four divisions. Knowing of the Division learning the lay stability with clap or Taali.
\n6. Swarmalika of Raag Raag Khamaj, Bihag, Kafi, Bhairavi, Purvi and Todi, Bhimpalasi
\n7. Practice of simple aalap of the above Raags. To sing with Tabla with praoper Lay.
\n8. . Learning of Taal : i) Dadra, ii) Kerwa, iii) Teen Taal, iv) Choutaal. Ability to tell the Theka of Taal with Taali and Thaay \/ Dwigun laya
\n9. Identify the the Aalap of the above Raag.
\n10. Sugam Sangeet : One Devotional Song of any one of the above Raag, One Ghazal Song, One Folk Song, One Regional Song, One Patriotic Song
\n11. Basic Knowledge of Harmonium, Tabla jodi and Taanpura
\n12 Knowledge of two simple cords
\n13. Voice Training of Second Step (For vocal )
\n14 . Karaoke Singing\/playing Practice of Four Bollywood songs
\n15. Studio Session
\n16. Presentation
\n17. Complete knowledge of your Instrument ( For Instrumental )<\/p>\n\n